Gerald Sim

About

Gerald Sim
PhD, Film Studies, University of Iowa
BS, Biology, Duke University

Email: gsim [at] fau [dot] edu
Phone : (561) 297-2050
Areas of Expertise: American and Postcolonial Cinema, Critical Theory, Film Sound and Music, New Media Studies, Algorithmic Culture

Gerald Sim’s research and teaching is grounded in theoretically informed film and media studies. His writing appears in Convergence, positions, Discourse, Rethinking Marxism, Projections, Quarterly Review of Film and Video, Inter-Asia Cultural Studies, Asian Cinema, and Film Quarterly. They include essays about data Platonism in Moneyball, Netflix’s data operations and its place in media history, CNBC personality Jim Cramer’s Marxist investment advice, Edward Said’s influence on film studies, film music theory, and cinema’s transition to digital cinematography.

He is currently interested in how data epistemologies determine political agency. His work-in-progress considers how technopolitics inform public imaginings of datafication through cinema. It highlights iconic films that have embedded themselves within the cultural infrastructures of technological literacy.

Sim’s second monograph, Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (2020) inaugurated the Critical Asian Cinemas series at Amsterdam University Press. The book reveals how the region’s unique postcoloniality manifests stylistically in films, including the way that Singapore's spatial preoccupations fashion a cartographic cinema, the import of Malay aural culture in the films of Yasmin Ahmad, and the persistence of stability discourse within the Indonesian investment in genre. The project was supported by two Visiting Senior Research Fellowships at the Asia Research Institute, and the Lee Kong Chian NUS-Stanford Distinguished Fellowship on Contemporary Southeast Asia. Sim’s first book, The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema (Bloomsbury Academic) was published in 2014.

(Photo by Rod Searcey)

Recent Publications

Postcolonial Hangups by Gerald Sim Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound, and Stability (2020)

“ ‘How can you not be romantic about baseball?’ Or how we are platonic about data.” Convergence: The International Journal of Research into New Media Technologies (2020).

“Postcolonial Cacophonies: Yasmin Ahmad’s Sense of the World,” in positions: asia critique 26, 3 (2018): 389-421.

“Individual Disruptors and Economic Gamechangers: Netflix, New Media, and Neoliberalism,” in The Netflix Effect: Technology and Entertainment in the 21st Century, edited by Kevin McDonald and Daniel Smith-Rowsey (New York: Bloomsbury Academic, 2016).

"Race and the Cinematic “Machine”," in The Routledge Companion to Media and Race, edited by Christopher P. Campbell (New York: Routledge, 2016).

The Subject of Film and Race: Retheorizing Politics, Ideology, and Cinema is the first comprehensive intervention into how film critics and scholars have sought to understand cinema's relationship to racial ideology. MORE...